he Exhibition ‘Painting or Object?’ investigates the borderlines between what constitutes a painting or an object, featuring work by Garland Fielder (US), Mick Johnson (US), Josef Adam Moser (AT), and Dirk Rathke (DE). This question, though mainly used for classification and description of work, has been the subject of many discussions. The critical split occurs due to color being more important to painting, whereas form is more important to an object. But what happens when color and form join together holding an equally important position?